2.27.2006

wonderful

Last night, while I was knitting and watching some police use science to solve crimes — or was it the hijinks of super sexy doctors in training, it's all a blurrrrr...

Anyhow, there I was, sitting on my new bed, my ass sinking deeper into the memory foam, needles clicking, scarf gaining length, and I felt a very bubbly sense of joy run along the surface of me. It wasn't profound or life-changing. It didn't make me laugh out loud or shiver. It was just there. With a light touch. I smiled – a little – and kept knitting. There are some things I fear looking directly at, they contain the potential of dissolving under a direct gaze.

Hawksley Workman sings: "Wonderful and sad/how can you be/so wonderful"

2.22.2006

why why why

stories:
- help us to define our worlds: by telling and retelling we build reality. Can you admit it to yourself? The times you have shifted the truth — just a smidge — to the right or left of reality. Those smidges over time add up. And the repetition makes it all real.
- remind us of where we come from — who we used to be — and reminds of, therefore, of who we are. And beyond that, who we can be.
- stake out territory in a socially acceptable and physically non-violent way. Competition imbues human behaviour. Today I learnt that when confronted with change, most people will become competitive, not cooperative. We can't wrestle in mud over martinis at the bar, but we can tell increasingly amazing, brilliant and engaging stories. Like badges of honour, these stories are testaments to who we are because of what we've done.
- help us get what we want. Stories charm, invoke sympathy, empathy and connection. As damaged as we all are by the inevitable abandonment we experienced as tiny babies and less tiny children (repercussions of which, it could be said, colours every action we take as adults), telling good stories captures people's attention. And we all love attention.
- are about remembering. And sharing that memory. In that way, we share ourselves.

2.21.2006

love you long time

hello friends,

it's been a long time. the dreary week is upon me. the teary week. weak. cheek. cheeky creaky leaky freaky meek. me. its that kind of week. i've had them before. i will have them again. they come, every 28 days to be precise.

I've been thinking about memory. Not so much the technical intricacies of building memory. More the triggers for recalling memories. Those of you who know me well probably also know that I have a bad memory. For some things. I don't recall events very well. It's easy for me to recast the memory, placing myself at the centre of events. Or in a position of innocence. Remembering and retelling are two different things.

I remember my friend's apartment to be facing west when in actuality it faces east. I've looked out his windows many times, but the key instance, the formative gaze, was on my first visit. I was nervous and excited. Everything tingled. I had no idea what was going to happen. I went to the window and looked out, hoping to ground myself in the skyline, the concreteness of the city. But instead my gaze was met by haze, that icy fog that swaddled Vancouver in November, obscuring the mountains, the view. Making it hard for me to see what was ahead, to anticipate. Instead I had to turn away from the window, to look into the room in which I was standing. To make a deal with real time. I'm glad that I did.

I remember loving the fog. I think I even wrote about it here. I loved feeling insulated from the future, if only what was coming at me on the visual plane. I loved the hush it brought to the city. The halos around the lights, everything was holy.

The bright cold sunshine of last week has its own merits. The brilliance of the light that illuminates everything, all nooks and crannies. The light that burns away the mold, that allows our clothes to dry, that combats the inevitable mid-winter blahs of greys that sads and boo-hoos.

And then today the clouds were back. Not low like fog, but low like a wool blanket. Scratching the skin but keeping us warm. Making me want to stay in bed. So maybe its not the time of the month, but the way of the sky. The firmament. Those pounds of pressure, of oxygen and nitrogen and hydrogen that weigh down on us — the resistance against which the earth's crust presses — it holds us together othewise we would explode, spinning slowly out into the universe like that art piece I saw in London. A garden shed exploding, but frozen, and all the smithereens suspended around a naked, hanging lightbulb.

(Can I bring it home?) Is memory the lightbulb, the bright centre of the exploding chaos of our brains, that which attacts us like moths to bash our brains against her heat? Memory. What are we without memory? Bodies and action... but what of our trail. Slugs leave a slime trail, glistening paint along the forest floor. The detritus builds up on their bodies, it travels down to their tails, lubricated by the slime. But they do not discard what they have gathered. No, instead they turn around and eat it. It feeds them. Maybe that's what memory does for us: feeds our hunger for garbage. (ooooo, that's so cynical, but I couldn't resist... the ending was inevitable, you shouldn've seen it coming when I started on the whole slug line.... )

Good night friends. I'll be back sooner than later.